![]() Quartal harmony in C Dorian (chords built of all fourths): Now going over to 7th chords, this is how it all looks like in C Dorian: The same progression in the natural C minor scale would go C minor, F minor, G minor. If we were to use the C Dorian scale, it would go C minor, F major, G minor. For instance, a I-IV-V progression would be different. If you were to write a song in Dorian mode, you'd have to use these chords. So let's take a closer look at the triads.Īs you can see, the chords here are in this order: minor, minor, major, major, minor, diminished, major, and back to minor. The distribution of chords built using the Dorian mode is also what makes it interesting. It's a great substitute to the minor pentatonic and blues scales if you feel like you've overused them. The combination of basic minor scale elements paired with a major 6th interval is what makes it unique. It has also found its way into blues music, and it's one of the most commonly used scales in jazz. It's actually very useful for rock, hard rock, and even heavy metal music. We could describe the Dorian scale as a slightly more cheerful version of the minor scale. And the Aeolian mode, or the natural minor scale, is a bit more melancholic than the Dorian mode. However, Phrygian has some Eastern-sounding vibes due to the minor 2nd interval. Phrygian and Aeolian modes also build these same chords. It can be used instead of the minor scale as it also builds a minor triad and a minor 7th chord. The only difference is that it has a major 6th interval instead of a minor 6th. There's one simple rule – you just lower the 3rd and the 7th degree.Įxamining it further, we can see that the Dorian mode is almost similar to the natural minor scale. If you're familiar with the major scale shapes and positions on the fretboard, you can easily make a Dorian scale from them. You can create a Dorian scale starting with any note. ![]() Whole, half, whole, whole, whole, half, whole.If represented numerically, by its degrees, it looks like this: Technically, this could also be defined as the key of B-flat major starting from its second degree. D Dorian:īelow, you can find a C Dorian scale, pretty much a modified C major scale. Ultimately, this also determines how you can use it in practice. This is ultimately what defines the Dorian mode and its sound. To understand the Dorian mode, we'll have to take a closer look at it, as well as its distribution of whole and half steps. Aeolian (same as the natural minor scale) - A-B-C-D-E-F-G-A.Ionian (same as the natural major scale) - C-D-E-F-G-A-B-C.As for the Dorian mode, below you can see that it's built by starting from the second degree of the natural major scale. For this guide, we'll show how it works in the key of C major. Each mode has a different mood and there are seven of them. In a practical sense, you just get more options than just the natural major or the natural minor scale. ![]() By going from, let's say, the third degree and up one octave, you'll get a completely different distribution of notes. The simplest way to put it is that they're seven different scales built from the major scale by starting from each of the seven notes in it. In modern Western music, they're defined through the major scale. Essentially, modes are diatonic scales with different distributions of whole and half steps. To understand what the Dorian mode is, we first need to take a look at the natural major scale.
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